Mozart, Mendelssohn and Mahler #0214
Felix Mendelssohn wrote often and well for the king of instruments, but his Hebrides Overture is not usually numbered among his standard organ essays. On our next Pipedreams program, though all of the music sounds simply fantastic, none of it was created for the medium of wind-blown pipes. If you’ve enjoyed the occasional appearance of the pipe organ in his Second and Eighth Symphonies, how about Mahler’s Symphony Number 5 arranged as an organ solo? Good things are where you find them, and Frederick Hohman, Matt Curlee, Alexander Frey, David Briggs, and other friends tackle the matter of orchestral transcriptions with overtures for concert hall and opera house. Not your usual organ recital. For an extraordinary experience, it’s Mozart, Mendelssohn, and Mahler, this week on Pipedreams.
GUSTAV MAHLER (transcribed by David Briggs): Scherzo, from Symphony Number 5 in c# –David Briggs (1898 Henry Willis; 1971 Hill, Norman & Beard; 1999 Nicholson/Gloucester Cathedral, England, UK) Priory PRCD649