. . . at one-hundred years or more are these instruments just coming into their own?
. . . we try to keep up with the irrepressible James D. Hicks as he explores Scandinavian organs and music.
. . . as the seasons inevitably change, so does the music.
. . . students of the Paul Jacobs organ studio at the Juilliard School perform at the Riverside Church in upper west-side Manhattan.
. . . relocated, renovated, removed, or simply remarkable, instruments in Cincinnati, Toledo, Oberlin and Columbus have stories to tell.
. . . selections from various recent performances featuring a wide variety of repertoire, artist and instrument.
. . . English, French and German composers tackle the triptych.
. . . another miscellaneous survey of some recent and interesting new recordings.
. . . a tip-of-the-hat to composers who have reached notable milestones this year.
. . . the famous French recitalist, recording artist and teacher Marie-Claire Alain talks about the uniquely powerful music of her older brother and first teacher, Jehan Alain (1911-1940).
. . . the renowned French recitalist, recording artist, and teacher Marie-Claire Alain (1926-2013) talks about her life and shares her music.
. . . a sampler from the archive, featuring American instruments, composers and performers.
. . . another variety-pack of deliciously diverse works by American composers, to enliven the senses.
. . . more of the varied miscellany of the ‘American style’ as expressed by composers for the pipe organ.
. . . proving that ‘American Music’ is whatever a composer in the United States wants it to be.
. . . there’s something unique about the character that composers, organ builders, and performers bring to the King of Instruments in the USA.
. . . a song-full selection to prelude to an upcoming gathering of the American Theatre Organ Society.
. . . this collection of 20th- and 21st-century works by American composers embraces many styles.
