15th century da Prato organ at the Basilica di San Petronio, Bologna, Italy

The old tunes have their charm, and the old instruments, too, as we revisit the beginnings of organ music; play on pipes that have been singing persuasively for four, five, and six hundred years; and remember that the matter of age directly relates to attitude. This week on Pipedreams you’ll hear instruments dating from the 15th, 16th, and 17th centuries - instruments from Italy, Austria, France, Germany, Spain, and the Netherlands - including the oldest in the world, still going strong.

If one is good, two is better or so it would seem on our next Pipedreams broadcast when we explore the remarkable and charming repertoire of organ duets. Whether together at one keyboard or tossing musical messages back and forth between opposing galleries, these selections do prove that you double your pleasure when two organists perform together. When four hands and four feet are set loose at the console, opportunities abound for sonorous and sensuous surprise. Artists include Anthony and Mary Jane Newman, Joseph and Phoebe Payne, Hans Fagius and David Sanger, and Elizabeth and Raymond Chenault, on instruments in Bologna, Boston, Munich, Mount Kisco, and Roswell, Georgia… music by Frescobaldi, Wesley, Daniel Pinkham, Bruce Neswick, Jean Langlais, and Myron Roberts. It’s a new world of experience, music For Two to Play, this week on Pipedreams.

Deep in its heart, it is all about a search for poetic, and musical, truth. On our next Pipedreams program, we investigate the tradition of the Ricercare, one of the earliest forms of Baroque instrumental music. Our examples take us back to the mid 16th century and feature an instrument even one hundred years older, at a Basilica in Bologna. Simple themes develop and interweave in phrases both rhapsodic and rigorous. Beyond the fertile Italian homeland, we visit churches in Stockholm, San Francisco, and the Netherlands for performances by John Weaver, Massimo Nosetti, Liuwe Tamminga, and Jean Guillou of works by Bach and Frescobaldi, and Menotti. Ancient and eloquent, our ears follow it heavenward. Ricercare for the Sky the ancient art of counterpoint, this week on Pipedreams.

It’s a game of getting-to-know-you. First a few notes, then some others and before you know it, we’re into a new adventure in sound. For hundreds of years, players have explored the limits of their instruments and of their own techniques in works that evolved from the sheer tactile pleasure of pushing down the keys and seeing what happens. Marius Monnekendam in the Netherlands, Robert Elmore in the United States, Girolamo Frescobaldi of Italy, J.S. Bach in Germany and many others have written some of their most exciting music following this scheme. Tactile and tantalizing, our program explores four hundred years of repertoire, instruments from three centuries, and the delights of things done by hand. Better than a good massage, with a tingling sensation guaranteed, we Reach out and Touch the Art of the Toccata, this week on Pipedreams.

What’s past was yesterday’s future. In this week’s program we take look in both directions by summing up happenings in the year 2002 and projecting our future into the new year. We’ll have snapshots from a European tour, birthday celebrations for some noted composers, a few highlights from superb concerts we’ve attended, and reflections on important personalities who have gone to their reward. Trumpets sound forth, ancient pipes sing out, and persuasive personalities make the case for the King of Instruments as we celebrate the New Year and savor highlights from the Old. This week we take our annual look back & forward by pondering the pages in An Organist’s Yearbook.

We trace back root causes on this week’s show, exploring composers in Italy, who laid the foundations for much of what we enjoy in classical music today. And organbuilders, too, whose instruments in Bologna, Treviso, Turin and Pistoia retained an unparalleled degree of simplicity of design and purity of sound across four centuries of European history. Their unique character blooms in the special idioms of Frescobaldi, Pasquini, Valeri and others, as we discover during A Sojourn in Italy.

It may seem that organs can never be too large, but the music on this week’s show reveals the beauty in smaller things—music played on instruments with only a single manual keyboard!

…tune in for a modest five-century survey of the history of organ music in Italy.

…modest instruments can achieve maximal satisfaction, as proven by these organs which posses no more than twelve stops each.

…compositions from Sweelinck to Cage, honoring composers whom we celebrate for significant anniversaries this year.

…an exploration of the many sorts of composition that you find under the generic, historic title "Ricercar".

…whether fiery demonstrations of tactile agility or thoughtful meditations on cosmic principals, this genre provides a touchstone for the organist’s art.

…the delightful and sun-shiney music of the gifted Spanish virtuoso and priest, Padre Antonio Soler.

…a summer quarter sampler of recent releases of organ music, with emphasis on the unusual and the unusually attractive.

Early Baroque and late Romantic repertoire from the organ’s spiritual home.

Pipedreams rings in a new century with a retrospective of the old, paying tribute to important anniversaries and personalities of the year gone by, and reflecting on the new millennium. You’ll hear the new organ at Pacific Lutheran University in Tacoma, soloists Martin Jean and Jelani Eddington, and the pioneering recitalist, teacher, and organbuilder Robert Noehren. You’ll sample archive concert tapes, and new compact disc releases, too, as host Michael Barone leafs through the pages of An Organist’s Millennial Yearbook.