Bold and beautiful sounds from recently inaugurated American-built instruments will engage our ears on this week’s show. Robert Bates plays at Holy Rosary Church in Portland, and John Obetz visits with the Benedictines at Conception Abbey in Missouri. You’ll also hear instruments at West Market Street Methodist in Greensboro, North Carolina, Northridge Presbyterian in Dallas, Texas, and the Community Church in Glenview, Illinois.
We’re on the road again with a cross-country sampler of recent American-built instruments, proving that this time-honored art is alive and well as practiced in our United States. Enter into the festivities and concert performances in a series of Debuts and Dedications.
The colors may be noteworthy, but the lengthening of days spells a change of season. This week we’ll steady ourselves against fall, with several musical impressions of summer’s end. Clarence Mader penned an October Interlude, Joseph Bonnet wrote several Autumn Poems, and Antonio Vivaldi takes us on a fox hunt through the crisp countryside. Walt Strony and Lyn Larsen play some seasonal pops favorites, and Kurt Luedders, Cherry Rhodes and Graham Barber lead us in a pageant of color. When the short sleeved shirt gets replaced by a jacket and scarf, you know that summer is behind us and a new season awaits. Enjoy music which embraces the best of fall and join us as we reflect on the multiplicity of colors in Autumn Leaves.
When you’ve got it, flaunt it. As a center for trade and diplomacy, the seventeenth-century north German port of Hamburg was one of the most prosperous independent cultural centers of Europe. As a city, it supported composers like Scheidemann, Praetorius and Reincken who, in turn, provided the foundations of a German Baroque style. This week, we sample the musical life of this cosmopolitan Hanseatic center and hear some of the music and instruments for which the city was, and remains, famous.
Guy Bovet, Douglas Bush, Gustav Leonhardt and Julia Brown play upon a proud cultural tradition, and we serve up delectible samples from our Hamburger Hotdish.
A good tune is a joy forever, but instead of repeating the same melody over and over, why not make it different? This week’s show illustrates the art of variation. Organist, Hannes Meyer toys with a European folksong, while the late, great George Thalben-Ball takes the ferocious fiddling of Paganini and transforms it into a virtuosic dance on the organ pedals.
Secular or sacred, sumptuous or sometimes just plain silly, our themes provide remarkable opportunity for creative possibilities. It’s all about the altered intent, where one good tune demands another take. By the end, even you’ll be calling out, Play it Again, Sam.
This week’s broadcast is a meditation on that ever necessary, always powerful, inscrutible yet marvelous energy we call love. The choir of Saint Paul’s Cathedral in London, sings of the love of God for humankind. Bach and his favored pupil Krebs lovingly decorate Lutheran hymns based on themes of loving kindness. Virgil Fox plays of love’s dream, and other composers explore the range of love as evidenced in folk songs, oratorios and operas.
It is a wondrous thing, a power that transports us beyond the mundane and opens new worlds of expression and experience. From folk tunes and hymns, art song and opera, our performers draw upon upon rich resource of music to sooth the soul.
It’s organ and orchestra on our next Pipedreams program, from the inaugural week’s concerts at Seattle’s Benaroya Hall where the Watjen Concert Organ, built by C.B. Fisk, made its debut with Gerard Schwarz and the Seattle symphony during the Millennial Year National Convention of the American Guild of Organists. Hatsumi Miura premiere’s Robert Sirota’s new piece, In the Fullness of Time, resident curator Carole Terry performs Aaron Copland’s path-breaking Symphony Number 1, and Marie-Bernadette Dufourcet-Hakim introduces the vibrant Seattle Concerto by her husband, Naji Hakim. The crowds at Benaroya Hall went wild, and you will, too, as we share in Seattle’s Pride, America’s newest concert organ, this week on Pipedreams.
There’s unrepentant optimism in the new Seattle Concerto by Naji Hakim, and a world of expressive possibility in music by Copland and Robert Sirota featuring the potent Watjen Concert Organ recently inaugurated at Benaroya Hall by Gerard Schwarz and the Seattle Symphony. It’s Seattle’s Pride this week on Pipedreams.
Further forays into repertoire for the organ “augmented”, in this case by brasses, strings, winds, and electronics.
Recitalist Herman D. Taylor provides perceptive introductions to varied works of African-American composers.
Sounds from the past, featuring 19th and early 20th century instruments between Milwaukee and Madison, played during a national convention of the Organ Historical Society.
On this week’s show, we’ll assess the not inconsiderable accomplishments of three talented offspring who made their own way in the world of music. Wilhelm Friedemann was considered Germany’s foremost organist. Johann Christian converted to Catholicism, studied in Italy, and ended up as the most celebrated import, after Handel, on the London scene. And Carl Philip Emmanuel, after a period of royal servitude, became music director for the city of Hamburg, a job his father lusted after but never himself achieved.
Boys will be boys, but when your father is Johann Sebastian Bach there are certain standards to be met, and a degree of individual independence to be sought. Hear the the works of three talented offspring the Sons of ‘B’ music by The Bach Boys, this week on PIPEDREAMS.
We’ve scanned the continent for interesting sounds and have visited churches in California, Massachusetts and Illinois in search of exciting pipe organ installations. Among the choice morsels gathered include John Butt playing Spanish repertoire at the University of California, Berkeley; and Loraine Olson Waters exploring mostly French pieces at the little Mont Marie Chapel in Holyoke. George Edward Damp will also entertain us with english fancies at Saint John the Divine Chapel in Champaign, and Louis Patterson savors romantic moments at Grace Lutheran Church, River Forest.
The repertoire’s international and historic, but the instruments all were made in the USA. An array of artists celebrate the diverse organs built by American organbuilders Berghaus, Buzard, Harrold and Watersmith.
We step out in a colorful procession in this week’s show by parading select works by American composers. You’ll hear everything from dances to gospel preludes. William Bolcom, Robert Elmore, Howard Hanson, Emma Lou Diemer and Leo Sowerby are just a few of the musicians represented, with works recorded in concert settings in San Francisco, Minneapolis, Rochester, NY, and Sioux Falls, South Dakota.
Our promenade builds from subtlety to strength. If you’ve considered the organ an old-world instrument, think again and join us for a celebration of new world sounds, a virtual Pageant.
On our next Pipedreams program, Wilma Jensen is featured artist, proving that Nashville is not ALL country music. On the Casavant organ at Saint George’s Church, Ms. Jensen plays a recital on churchly themes, from bright preludes and quiet meditations to scenes of the Passion and hymns of the Resurrection.
It IS all about love, and dedication, to music for the organ and the church. We celebrate the career of one of Nashville’s unsung star performers, a little woman who can make the big Casavant organ speak its mind. Enjoy the artistry of Wilma Jensen at Saint George’s Church, Nashville, TN.
We celebrate American composers with a program of colorful works to match every mood. From the new-age patterns of William Doerrfeld to the rags of Scott Joplin, from church pieces to concert toccatas we’ll explore the vast domain of American organ music.
Fresh, exciting and new would be ways to describe the music you’ll hear. Works by Pamela Decker, Fred Hohman and Charles Ives among others with varied emotions and styles, and powerful gestures all under the inspiration of The American Muse.
It’s a multiplicity of riches on our next Pipedreams program, a sampling from sixteen new releases, including historically correct instruments at Stanford University in California. We’ll also visit Presbyterian churches Rochester and Buffalo, New York, Hexam Abbey in England, and the Cathedrals in Fulda, Germany and Washington DC, hearing Wolfgang Rübsam, Paul Manz, Gillian Weir and still others perform at the top of their game.
From the Church of Saint Sulpice in Paris to the west coast of America, we’ll hear colorful music from four centuries of repertoire showcasing the king of instruments in all its glory.
Falling in love is easy to do, especially with the music of Richard Rodgers as accompaniment. Rodgers’ melodic gift in conjunction with lyricists Lorenz Hart and Oscar Hammerstein, gave new song to three generations. Folks flocked to such shows as The Boys from Syracuse, The Girl Friend and South Pacific, and tunes from those and dozens of other productions still resound throughout the land.
It’s a celebration of a great American composer with some of his most famous and most obscure works played organs in theatres, naturally, but also in a home, a high school auditorium and a pizza restaurant. George Wright, Rob Richards, Tom Hazleton and many others will keep you On Your Toes with a Richard Rodgers Centennial Tribute, this week on Pipedreams.
On this Pipedreams program we cover 500 years of Iberian repertoire. From the 16th and 17th century antiquities of Antonio de Cabezon and Juan Cabanilles to the modern Easter outbursts of Jose Antonio de Donostia, we explore the seldom-played music of Spanish composers on Spanish-style instruments here in the United States.
Trumpet fanfares from the Old Country take on a new aura played on stylish instruments in North Carolina, California, Ohio and Texas. From Cabezon to Donostia, we celebrate 500 years of Spanish Music in the New World, extraordinary sounds this week on Pipedreams.
Everyone has an opinion, whether asked for or not. On our next Pipedreams program we’ll argue the opinions of eight esteemed artists, each of whom has a personal view of the music of Johann Sebastian Bach. I’m not sure we’ll find, or even desire, a consensus, but we will be provoked by the playing of Harald Vogel, Wolfgang Rübsam, Kate van Tricht, and Anthony Newman. We’ll hear them perform on various instruments from Bach’s time and other organs inspired by history and by the methods by which music was generally created when those particular organs were built.
The greatest music demands the greatest interpreters, and we find out just how broad the interpretive stage can be when eight players and as many instruments pay homage to the genius of Johann Sebastian. The interpretive pendulum swings Bach and Forth this week on Pipedreams.
