Episodes: 2000

We reflect on the passing of time on our next Pipedreams broadcast. The old year now is gone and done. So are a number of wonderful musical friends whom we will honor and miss. But, we’ll also celebrate some intriguing new instruments, check up on the Wanamaker Organ in Philadelphia for a progress report on the ongoing restoration there, sample some recent recordings - including a disc which just won a ‘golden ears’ award from a popular audiophile journal and stop down in Mexico, where fireworks and the village band added to the excitement of a visit from some Norwegian performers.

It’s a feast for the ears on this week’s broadcast. We’ll have choice and charming confections from home and abroad, including Dale Wood’s evocation of a Cold December, a Richard Purvis song about wee lambs, and a mechanical music-box version of White Christmas. We’ll also visit Saint Mark’s Cathedral, Minneapolis, the Tower Ballroom in Blackpool, England, and Brangwyn Hall in Wales in search of the proper ingredients for our holiday party.

We raise a joyful noise on our next Pipedreams broadcast, exploring the talents of a marvelously multi-faceted fellow whom you might best know from his keyboard collaborations with the Paul Winter Consort. But Paul Halley does so much more. We’ll hear him with his Connecticut-based Chorus, Angelicus and Gaudeamus, in recital at Spivey Hall near Atlanta, improvising on seasonal songs, and in his landmark recording of late-night music from the Cathedral of Saint John the Divine in New York City. Spirituality and spirited performing become one in the same, as Paul Halley shares his unique gifts.

It’s not your usual sort of seasonal surprise on this weeks Pipedreams program. To prove the universality of the Christmas theme, we’ve conducted a global search and it has uncovered some extraordinary jewels, including a French Noel, variations from The Netherlands and South Africa, and settings of familiar tunes from Sweden, Norway, Germany, Austria, Lebanon and the United States.

There’s a song in the air and it’s about change. The future is just around the corner… but not quite, not yet. On this week’s broadcast, we’ll ponder the problem of the unknown, with music for Advent, including an atmospheric pharaphrase by Hans-Andre Stamm, a collection of Bach chorale-preludes, and an improvised symphonic movement by Marcel Dupré that he recorded with compelling persuasiveness in his 79th year.

One of the delights about the organ is its virtually limitless repertoire, and this Pipedreams program explores some of that as we sample a collection of the latest releases of pipe organ repertoire on compact disc. Hear pieces by Bach’s favorite pupil, a work for organ and cello by written by one Paris Conservatoire professor for himself and a colleague, a canny combination of organ sound with an electronically synthesized harp, a quiet bluesy Arietta by African American pianist Thomas Kerr, and a sonorous symphony by Alexander Guilmant which will make your speakers rumble.

When George Fredric Handel needed to draw crowds to performances of his new oratorios, he discovered that they’d come to see HIM play the organ. Now that’s star-power. And although the ravages of time have been less kind to some of his contemporaries, Handel’s concertos, and specifically those written for the organ, are still among the most delightful concert works ever devised from that period.

He heralded the Common Man, and the uncommon organist, too. With a Fanfare, a Preamble, a Passacaglia and a symphony composed in Paris for his teacher’s debut in New York City, we explore some characteristic yet surprisingly little-known organ works by one of America’s most famous composers.

Grandeur and majesty. Passion and poetry. These are the elements of a new musical style that evolved in Paris in the latter 19th-century which revolutionized the art of the organ. On our next Pipedreams broadcast, we’ll hear two ‘firsts’ - two symphonic works for solo organ by Charles-Marie Widor and his pupil and, ultimately, competitor, Louis Vierne. Inspired by the sonorities of the lavish new instruments designed by master organ builder Aristide Cavaillé-Coll, both Widor, who was the first to call a composition an organ symphony, and Vierne created musical masterpieces that are both a challenge to play and a joy to hear.

The nine competitors have been thinned to three with the ultimate challenge just on the horizon. On our next Pipedreams broadcast, we take you to the Meyerson Symphony Center in Dallas where three young artists vie for the gold prizes on a Texas scale totaling over $50,000 in cash and awards! Bach prevails in the company of Brahms, Bill Bolcom and Max Reger, while Gunther Rost, Bradley Hunter Welch and James Diaz pull out all the stops in this most prestigious of American contests for young masters of the king of instruments. Tune in and hear the exciting conclusion of the finals of the Dallas International Organ Competition 2000, this week on Pipedreams.

To play the organ is a challenge under any circumstance. Manipulating all of those keyboards and pedals and buttons really keeps you on the edge. Can you imagine what must it be like to play the organ in competition? Well, that’s more pressure than I could tolerate, but on our next Pipedreams program you’ll hear nine young artists put it on the line, for prizes of up to $30,000, and hardly bat an eye. From the delicate tracery of a Bach Trio to the plangent passion of a contemporary toccata, young musicians go for the gold at the world’s most beneficent battle for organists. From the Caruth Auditorium and the Meyerson Symphony Center, it’s the Dallas International Organ Competition 2000, Part One, this week on Pipedreams.

If the organ is the king of instruments, then our next Pipedreams program is a showplace for the kings of kings. This week we will compare seven of the world’s largest pipe organs in all of their Olympian splendor. We’ll listen to Peter Baicchi as he plays at the Crystal Cathedral and Fred Swann as he shows off the latest additions to First Congregational Church, Los Angeles. We’ll also visit the Cadet Chapel at West Point, the Mother Church of Christian Science in Boston, and Passau Cathedral, the largest church organ in Europe. And we’ll hear the mightiest of all, the Wanamaker Grand Court Organ in Philadelphia, and Senator Emerson Richards’ still-unrealized dream at Atlantic City’s Boarwalk Hall. It’s Big, Bigger, Biggest, the giants in their homes, this week on Pipedreams.

A celebration and remembrance of that most charismatic and controversial of 20th century American virtuosos, Virgil Fox [1912-1980] with comments from Fox and long-time friends and associates Ted Alan Worth and Lawrence Schreiber, plus recordings made by Fox at the Riverside Church, the Filmore East Auditorium in New York City, Philharmonic Hall at Lincoln Center, and the Garden Grove Church in California. This program was produced in cooperation with Dan Cronenwett, Stephen Carlson, and public radio station KBYU-FM, Provo, Utah.

It’s about the adventure of discovery, the excitement of surprise. On the next Pipedreams program we explore recent works by mostly American composers, including a Concerto for Organ Solo, and a lyric Cantilena that sounds like a cool, slow jazz solo brought to church. For the kids, a funny, quasi-rap piece about Rex, the King of Instruments. Some people will do anything to get your attention, and our highlight is a stunning item for organ, strings and percussion which will knock your socks off. Don’t miss the great sounds, American Premieres, this week on Pipedreams. To learn more about Stephen Paulus and Norman Mackenzie, read Family Secret by Michael Barone.

Ingenuity, subtlety, virtuosity, even heroism are traits necessary in becoming a world-class musician. Hear them applied by Heather Hinton, Peter Krasinski, John Schwandt, Justin Bischof, and Ann Elise Smoot, all winners of American Guild of Organists national competitions. I captured them ‘on the spot’ in Denver, showing us the way through music of many moods: fast and sinister, prayerful, and heroic. It’s amazing what the youngsters are up to these days and there’s no stopping them. Tune in and hear them Playing for the Prize, this week on Pipedreams.

A return to Georgia on this week’s Pipedreams program recorded during an American Guild of Organists convention in Atlanta. We’ll visit the Cathedral of Saint Philip to sample this moody meditation by Walter Hilse, hear a sacred song-setting by Rachel Laurin of Montréal, journey to Peachtree Road United Methodist Church for Karel Paukert’s scintillating representation of Czech and American works, and to Trinity Presbyterian Church where Todd Wilson, George Hanson and Atlanta Symphony members explore music for organ and strings. History revisited.

To know this instrument is to celebrate the totality of its wide-ranging repertoire, and one of today’s most broad-minded organists is Professor Craig Cramer from Notre Dame University in Indiana. He takes equal pleasure in contemporary compositions and historic music played on period instruments. We’ll hear him perform Bach in Sioux Falls, South Dakota, and Steinfeld, Germany. We also hear him in recital on the 19th-century Johnson organ at a convent in Mankato, Minnesota and on the new installation at Pacific Lutheran University, Tacoma. Craig shares his insights and experiences gained during his international recital tours.

This week’s Pipedreams program takes on the challenge of evoking vivid visual images - and with our ears we’ll view a procession in an ancient cathedral, a thunderstorm in the countryside, colorful landscapes in southern France, and an art show at a gallery. Along with works by Mulet, Ermand Bonnal, Eugene Reuchsel, and Lefebure-Wely, we’ll enjoy a complete performance of Mussorgsky’s famous keyboard impressions of paintings by his friend Victor Hartmann - visions of children playing near the Tuileries, the Market at Limoges, the Catacombs, the Ballet of the chicks in their shells and the Great Gate of Kiev. Nine soloists paint the town with organic colors. For more on Pictures at an Exhibition, read Paintings in Sound, by Michael Barone.