1986 Marcussen organ at Wiedemann Hall, Wichita State University, Kansas

Tribute To Ned Rorem #9629

A celebration of the numerous instrumental and vocal works which this Pulitzer Prize-winning musician has created for the organ’s repertoire, with comments from the composer.
Woolsey Hall

Pieces of Eight #9623

Eight different soloists provide a composite look Symphony Number 8, the largest and least-known of Charles-Marie Widor’s ten famous organ symphonies.

More of Mendelssohn

Although not as popular among organists as the familiar Sonatas of Opus 65 and the Preludes & Fugues of Opus 37, this week’s broadcast is a collection of repertoire from off the beaten path.

The United States of Bach

It is as simple as Bach’s instructions, “Push the right key and the right time and the organ plays itself.” With that in mind, we’ll discover just how much diversity there is behind that seemingly obvious instruction. Listen to six American soloists on as many American instruments will treat us to Preludes and Fantasies, melodious chorale-settings and vibrant fugues. In a cross-country survey, from churches in South Dakota, Georgia, Michigan and Utah and university halls in Arizona and Texas, we celebrate Baroque organ music at its best and show Johann Sebastian the American way. It’s the United States of Bach.

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Learn more about the tremendous support we receive from the Family of Lucinda and Wesley C. Dudley, from Walter McCarthyClara Ueland and the Greystone Foundation, from Ed and Wanda Eichler, from the Art and Martha Kaemmer Fund of the HRK Foundation, and from affiliate members of the Associated Pipe Organ Builders of America (APOBA), including the C.B. Fisk, Inc. of Gloucester, MA.